crystalmess
@hannywannywilly 22, Kent England.
Easy come, Easy goes.
crystalmess
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north-lame:

 

A skulk of foxes
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Lady Gaga for Harper’s Bazaar, September 2014.  

Lady Gaga for Harper’s Bazaar, September 2014.  

Lady Gaga for Harper’s Bazaar, September 2014.  

Lady Gaga for Harper’s Bazaar, September 2014.  

Lady Gaga for Harper’s Bazaar, September 2014.  

Lady Gaga for Harper’s Bazaar, September 2014.  

Lady Gaga for Harper’s Bazaar, September 2014.  
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asylum-art:

HAEJUNG LEE
 artist on tumblr
asylum-art:

HAEJUNG LEE
 artist on tumblr
asylum-art:

HAEJUNG LEE
 artist on tumblr
asylum-art:

HAEJUNG LEE
 artist on tumblr
asylum-art:

HAEJUNG LEE
 artist on tumblr
asylum-art:

HAEJUNG LEE
 artist on tumblr
asylum-art:

HAEJUNG LEE
 artist on tumblr
asylum-art:

HAEJUNG LEE
 artist on tumblr
asylum-art:

HAEJUNG LEE
 artist on tumblr
asylum-art:

HAEJUNG LEE
 artist on tumblr
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"Have a mind that is open to everything, and attached to nothing."
(Tilopa)
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witheyesthatlinger:

astrolily:

I only just realised this is a gif

Love it when this happens
witheyesthatlinger:

astrolily:

I only just realised this is a gif

Love it when this happens
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cielles:

http://cielles.tumblr.com/
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asylum-art:

Fábio Magalhães
Fábio Magalhães works with self-reference painting. Metaphorically connecting images of his own body, feelings and banal situations, he aims at pointing out conditions inconceivable to be portrayed but through artifices and distortions of reality. As for this, his art pieces are the result of a modus operandi that makes part of the photographic universe and results in a kind of parallel reality, materialized in the universe of painting. In which, he creates contours of a disturbing reality.
asylum-art:

Fábio Magalhães
Fábio Magalhães works with self-reference painting. Metaphorically connecting images of his own body, feelings and banal situations, he aims at pointing out conditions inconceivable to be portrayed but through artifices and distortions of reality. As for this, his art pieces are the result of a modus operandi that makes part of the photographic universe and results in a kind of parallel reality, materialized in the universe of painting. In which, he creates contours of a disturbing reality.
asylum-art:

Fábio Magalhães
Fábio Magalhães works with self-reference painting. Metaphorically connecting images of his own body, feelings and banal situations, he aims at pointing out conditions inconceivable to be portrayed but through artifices and distortions of reality. As for this, his art pieces are the result of a modus operandi that makes part of the photographic universe and results in a kind of parallel reality, materialized in the universe of painting. In which, he creates contours of a disturbing reality.
asylum-art:

Fábio Magalhães
Fábio Magalhães works with self-reference painting. Metaphorically connecting images of his own body, feelings and banal situations, he aims at pointing out conditions inconceivable to be portrayed but through artifices and distortions of reality. As for this, his art pieces are the result of a modus operandi that makes part of the photographic universe and results in a kind of parallel reality, materialized in the universe of painting. In which, he creates contours of a disturbing reality.
asylum-art:

Fábio Magalhães
Fábio Magalhães works with self-reference painting. Metaphorically connecting images of his own body, feelings and banal situations, he aims at pointing out conditions inconceivable to be portrayed but through artifices and distortions of reality. As for this, his art pieces are the result of a modus operandi that makes part of the photographic universe and results in a kind of parallel reality, materialized in the universe of painting. In which, he creates contours of a disturbing reality.
asylum-art:

Fábio Magalhães
Fábio Magalhães works with self-reference painting. Metaphorically connecting images of his own body, feelings and banal situations, he aims at pointing out conditions inconceivable to be portrayed but through artifices and distortions of reality. As for this, his art pieces are the result of a modus operandi that makes part of the photographic universe and results in a kind of parallel reality, materialized in the universe of painting. In which, he creates contours of a disturbing reality.
asylum-art:

Fábio Magalhães
Fábio Magalhães works with self-reference painting. Metaphorically connecting images of his own body, feelings and banal situations, he aims at pointing out conditions inconceivable to be portrayed but through artifices and distortions of reality. As for this, his art pieces are the result of a modus operandi that makes part of the photographic universe and results in a kind of parallel reality, materialized in the universe of painting. In which, he creates contours of a disturbing reality.
asylum-art:

Fábio Magalhães
Fábio Magalhães works with self-reference painting. Metaphorically connecting images of his own body, feelings and banal situations, he aims at pointing out conditions inconceivable to be portrayed but through artifices and distortions of reality. As for this, his art pieces are the result of a modus operandi that makes part of the photographic universe and results in a kind of parallel reality, materialized in the universe of painting. In which, he creates contours of a disturbing reality.
asylum-art:

Fábio Magalhães
Fábio Magalhães works with self-reference painting. Metaphorically connecting images of his own body, feelings and banal situations, he aims at pointing out conditions inconceivable to be portrayed but through artifices and distortions of reality. As for this, his art pieces are the result of a modus operandi that makes part of the photographic universe and results in a kind of parallel reality, materialized in the universe of painting. In which, he creates contours of a disturbing reality.
asylum-art:

Fábio Magalhães
Fábio Magalhães works with self-reference painting. Metaphorically connecting images of his own body, feelings and banal situations, he aims at pointing out conditions inconceivable to be portrayed but through artifices and distortions of reality. As for this, his art pieces are the result of a modus operandi that makes part of the photographic universe and results in a kind of parallel reality, materialized in the universe of painting. In which, he creates contours of a disturbing reality.
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"What I’ve Learned:
1. A girl can lose feelings for you over night.
2. A kiss can be just that, a kiss. Completely meaningless.
3. Love can be one sided but I still wonder if that is love at all
4. Never beg for someone to stay or to love you. You shouldn’t have to beg for someone to be a part of your life or to love you. You deserve better than that.
5. Stop breaking your ribs to make space for those who do not belong there.
6. Learning to breathe again is harder than the doctors said it would be.
7. I don’t know what hurts more at night; being alone or being in love.
8. Laying with someone in bed at night is temporary. It won’t get rid of the lonely. You will still wake up and leave in the morning with a heavy heart and no hand to hold.
9. Sometimes the sky rains gasoline instead of water and you have to be strong enough and ignore the urge to set yourself on fire.
10. I will be okay someday. Bad things happen for no reason sometimes and things end but that shouldn’t mean you should come to an end too. The ocean will always have waves; I just have to learn to swim through them for a bit longer.
11. The stretch marks I left on my mother from birth will not be another suicide letter I never finished."
Oliver Nolau (via cybergirlfriend)
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"Do what the fuck makes you happy, cause at the end, who’s there? YOU."
Tyler the Creator (via thecraziethewizard)